Why Are Superheroes So Popular In American Culture

Superheroes In American Culture – 2075 Words

Superheroes have remained among the most popular figures in American popular culture throughout the twentieth and twenty-first centuries. It appears that we will not be able to go a year without seeing a new Batman, X-Men, Superman, Iron Man, or Captain America movie. But what is it about superheroes that captures the interest of the American public? “What Happened to the Man of Tomorrow?” claim Jeffrey Lang and Patrick Trimble in their piece “What Happened to the Man of Tomorrow” that the relationship between superheroes and the American monomyth is the reason they have stayed relevant.

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This is also true since superheroes are a phenomena that is uniquely American in nature.

Superheroes of today are popular for the same reasons that heroes of the past were popular in the past.

  • For example, Iron Man and Captain America are now two of the most popular superheroes on the market.
  • A rich celebrity who made his fortune via weapon sales, Tony Stark is the guy behind the Iron Man armor.
  • He is very showy and boastful, and he isn’t ashamed to flaunt his billions of money to anybody who would listen.
  • In the first place, there is an unmistakable relationship between the public’s infatuation with Tony Stark and the public’s obsession with real-life superstars such as the Kardashian family.
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  • The transformations that the superheroes go through, on the other hand, are symbolic of broader shifts in the American monomyth.
  • Superman never tells a lie.
  • Superman was the greatest emblem of all that America stood for when he was first published in 1938.
  • Unlike Superman, according to Lang and Trimble, Spiderman is fundamentally different from Superman in that “Spiderman constantly wishes that someone else would take on the duty of being society’s defender, and he talks about giving up the superhero position” (Lang 160).

Many people were suffering in the 1930s, at the depths of the Great Depression, yet they still had faith in the future and their potential to make a difference.

What Impact have Superheroes had on American Popular Culture?

If you look closely at any small child’s clothing or lunchbox, there is a strong possibility that the face of a superhero may be found on it. If you take a look at the movie theaters, there is a strong probability that a superhero film has recently been released. The presence of these superheroes across American society begs the question: what influence do they have on popular culture (including television, film, and video games) on the young of the country? It is possible to get an answer to this question by looking at the histories of Batman and Superman, two of the most successful superheroes of all time.

  • I opted to investigate the effects of Batman and Superman on American society since they have both had a significant impact on my life through their big films, comic books, cartoon series, and action figures.
  • In conclusion, I discovered that Batman and Superman have permeated every major form of entertainment in America, with the exception of the music business, according to my investigation.
  • A superhero is a role that almost everyone who has ever seen or read about one has envisioned himself or herself playing at some point.
  • Because of their immense strength, they would be able to avoid natural calamities and spare the lives of innocent bystanders who would otherwise be destroyed.
  • When considering this infatuation with superheroes, what role have they had in popular culture, television, film, and the lives of young people in the United States of America?
  • Superheroes have had a significant effect on the culture of America.
  • Because they like their favorite superheroes, Americans spend millions of dollars each year on movies, comic books, and costumes based on those heroes.

They are among the most established, most successful, and longest-running superheroes in the world.

Superman, for example, represents the extremity of what most regular people hope they could do: possess superpowers and do great feats.

He is the last survivor of Krypton, a dying planet on the point of catastrophe.

He crash-landed on Earth and was discovered by an older, childless couple named Jonathan and Martha Kent, who took him in and reared him as their son, Clark, for the rest of his life.

When Superman was a child, the Kents, along with messages from Superman’s real father, taught him to be responsible with his abilities.

The Superman figure is popular because he is continuously shown as mankind’s rescuer, which makes him seem heroic.

Clark Kent is also known as Superman (Daniels 21).

He is also known to as the Dark Knight, the Caped Crusader, and “the Bat” for short, depending on the context.

“I went over their graves to wage a war on crime,” he said in his adolescence, and he spent the remainder of his life battling crime as what would become probably the most renowned vigilante of all time (Greenberger 26).

As a result of his great riches and resources, he has been able to construct outfits, cars, and devices that have allowed him to complete his transition into a symbol of dread among the criminal underground, which he has turned into a valuable asset.

While Batman does not possess any superhuman physical talents, he compensates for this by employing a wide range of highly trained investigative, physical, and technical skills to supplement his innate strengths.

In addition to his own physical talents, Batman is a master at mixing stealth, surprise, force, and his gadgets to defeat his adversaries, frequently taking on many opponents at the same time, as seen in the movie Batman Begins (Greenberger, 31).

Over the previous seventy years, these superheroes have had an increasingly positive influence on our culture.

Action Comics1 first published in 1938, and it was here that writer Jerry Siegel and illustrator Joe Shuster introduced the world to Superman.

Even though the radio stories provided fans with the opportunity to listen to Superman in action, writers sought to expand the Superman franchise even further by incorporating the visuals from the comic books.

The Adventures of Superman, starring George Reeves, premiered on television in the 1950s.

This commercially successful program ran for six seasons and continued to fascinate children and adults for years after its discontinuation, thanks to its syndication.

As a result, the Man of Steel landed his most significant role to date in the 1978 blockbuster motion picture Superman, which starred Christopher Reeves, who went on to feature in three sequels and re-established the character’s attraction to that generation while also expanding Superman’s fan base.

  1. After then, Superman Returns went on to make almost $400 million at the international box office (Box Office Mojo).
  2. Lois and Clark: the Adventures of Superman was a television series that aired on ABC from 1993 to 1998 that focused more on Clark Kent and his connections with Lois Lane, his major love interest, than on Superman as a fictional character.
  3. Superman made another appearance on television in Superman: The Movie.
  4. Children were the target audience for this animated cartoon series, which aired on the WB network’s Kids WB as one of the Saturday morning cartoons, as part of the children’s segment of the network’s programming.
  5. The first season of this series premiered in 2001, and the last season premiered in the fall of 2010.

That storyline is ignored in favor of the 1986 version of Superman created by artist John Byrne, in which Clark discovers his powers during the onset of puberty while he is in high school, rather than as a child, and is forced to confront the reality of his powers as well as problems that most current high school students face and can relate to (Daniels 57, 66, 146, 147, 174, 175, 236, 237, 262, 263).

  1. In addition, Batman and Superman have a comparable publishing history when compared to one another.
  2. Because of Batman’s widespread appeal, he was featured in short film serials for children that aired on Saturdays in the early 1940s.
  3. The classic Batman television series, featuring Adam West in the lead character, first aired in 1966 and established Batman as a cultural icon.
  4. However, the show was ended in 1968, just as quickly as it had gained popularity.
  5. Batman made a triumphant return to television with Batman: The Animated Series, which was a successful attempt to present the Dark Knight in a more kid-friendly light.
  6. When Tim Burton’s blockbuster picture Batman was released in 1989, it exploded into the national consciousness, exploding Batman’s fame, introducing him to a new generation, and reinventing Batman in the cinematic medium as a result.
  7. Dark, foreboding connotations of Batman and Gotham City were retained in the 1992 sequel, Batman Returns, although they were taken to a deeper and darker degree than in the original picture.

The most significant change between the third and fourth films was the removal of the prominent serious and darker themes in favor of creating a more family-friendly film, with the dark overtones being replaced with comical overtones, with director Joel Schumacher stating that he was “trying to find the humor in every situation.” These last two films were not well received by the general public, which resulted in Batman’s disappearance from theaters until 2005’s blockbuster Batman Begins, which reintroduced him.

  • This film marked the beginning of a new era in the Batman film franchise, as it revealed the Dark Knight’s origins in their entirety for the first time to the general public.
  • All of the worst areas of New York, Los Angeles, and Chicago, as well as other major cities in the United States, have been rolled into one enormous, trouble-ridden city in this new version of Gotham (Daniels 140, 250, 251).
  • In addition to promotional materials, toys, and apparel, this figure does not take into account all of the other merchandise produced in conjunction with these films.
  • Lunchboxes, backpacks, action figurines, and Halloween costumes are just a few examples of the wide variety of goods featuring the two characters.
  • This merchandise is aimed at children and young adults under the age of 18.
  • The municipality of Metropolis, Illinois, serves as an illustration of how great of an influence Superman has had on civilization.
  • The city of Metropolis also pays tribute to its fictional counterpart by hosting the annual Superman convention in June, where people from all over the United States come together to honor the Man of Steel and his achievements.
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At these conventions, people come in their thousands to represent their favorite superhero, many of whom are dressed to the nines.

These collectors spend tens of thousands of dollars on a variety of memorabilia, ranging from movie props and costumes to first edition comic book collections.

It is because they are seen as world-saving figures that people place their faith in them to grab them while they are falling and save their lives that they have come to believe in them.

In a way, superheroes have a recognizable quality about them that makes people feel like they could be themselves because they are dealing with issues that many people are dealing with as well.

This infatuation with imaginary individuals has infected the general public, and we have turned to Superheroes to satisfy our want for their company.

Unlike Superman, who saves people because he knows he can and should as a result of his superhuman skills, Batman is motivated to punish criminals by his desire for justice and willingness to go the additional mile in order to see that justice is served because he believes it is the right thing to do.

  • In spite of the fact that superheroes may not be logical in their super abilities, they embody the moral desire to do what is right, and they represent the best in all of us.
  • Few genuine persons, if any, have had their lives depicted in as many films, television episodes, cartoons, and comic books as have been done with fictional characters.
  • Sources: The adventures of Batman begin.
  • Written and directed by Christopher Nolan and David S.
  • Prod.
  • Franco.
  • Warner Brothers released the film in 2005.

Box Office Mojo, November 2, 2006.

A Celebration of the World’s Favorite Comic Book Heroes is the theme of DC Comics’ latest release.

Chronicle Books, published in San Francisco in 1998.

Continuum Publishing Group, New York, 2004.

The Definitive Batman Encyclopedia is a must-have for any Batman fan.

New York Comic Conamp; New York Anime Festival are two of the most popular conventions in the world.

This is the biggest and most exciting popular culture convention on the East Coast! – New York Comic Conamp; New York Anime Festival. Web. 30 November 2010.lt; gt; New York Comic Conamp; New York Anime Festival.

Why Do Americans Love Superheroes So Much?

People will remember Superman, blue tights and all, on the very last day of the world’s existence, since he is the most iconic figure on the globe. Everything is changing, and everything is dying. Everything is changing and dying. There is an unstoppable march towards an inevitable transformation and an unavoidable death for every notion, every living thing, every culture, every language, every thinking. Nothing valuable can be kept, but nothing undesirable can be kept either. We will continue to grow, reshape, and die as long as the Earth continues to revolve, and the Earth will ultimately die as well.

We begin to develop stories in order to preserve something about ourselves that is eternal, and what better way to do it than via the use of superheroes to accomplish this goal?

Superheroes have had an unmistakable impact on our society, regardless of whether or not you consider yourself a “comic book enthusiast.” Their names (Superman, Batman, Spiderman, and Captain America to mention a few) evoke an immediate idea of who they are and what they stand for in their own universes.

  • Our favorite things about them are that they are static, developmentally stalled, and unselfish.
  • I don’t recall the first reason why, but there is usually one that strikes a chord in the obsessivemind of a child (or an adult).
  • Years later, I’ve just finished writing Ed Brubaker’s landmark “Death of Captain America” and “Captain America: Reborn” narrative arcs for Marvel Comics.
  • Of course, there were some subtle differences here and there, but he was essentially the same person throughout.
  • He wasn’t going to be dead forever, though.
  • In comic books, the hero is always the same.
  • There is no aging, no permanent death, they never lose for an extended period of time, and all comics conclude with a fight between good and evil, in which good will ultimately prevail, even if it takes some time.

The superhero narratives are the modern-day mythology of the United States.

The United States, being the youthful and developing civilization that it is, has resorted to superheroes (mostly from the Marvel and DC worlds) to provide us with ongoing epics to enjoy.

Even though society teaches us differently, there is comfort in the familiarity of things.

Who is Spiderman to someone who reads Spiderman for the first time 40 years ago and to someone who reads Spiderman today?

With continual change comes the need to see certain things remain entirely unchanged.

It is satisfying to witness a superhero achieve success despite the difficulties they have faced.

In his essay for Smithsonian Magazine, Robin Roseberg goes even farther, writing that we are fascinated with the origin stories of superheroes beyond all else, and that we are concerned with the origin tale of superheroes above all else.

It is, in essence, a model that has received nearly unanimous support.

The next Superman remake, which will be released this summer, as well as Nolan’s Batman trilogy and the several Hulk versions, all speak to a profound yearning to witness triumph over hardship in a two-hour time frame.

The regularity of our superheroes provides a sense of security and comfort that will ensure that they remain relevant indefinitely.

Superheroes, whether they acknowledge it or not, contribute to the creation of a crucial American mythos, to which we can all turn when everything appears to be spinning out of control. They always come out on top at the end of the day.

How American History Created the American Superhero

Superheroes have the ability to alter the course of history. However, history has the ability to alter the path of superheroes. T. Andrew Wahl, a comic book historian, investigates how comic books serve as a reflection of their periods. In the early 1940s, the United States of America stood at a crossroads. When the country entered WWII, women’s roles were shifting as a result of their participation in the war effort, and hundreds of thousands of refugees were fleeing the devastation wreaking havoc on European countries.

This raises the topic of how comics have changed in response to our ever-changing culture.

Andrew Wahl has had newspaper stains on his fingertips for the most of his life.

As part of Humanities Washington’sSpeakers Bureauprogram, he is presently traveling the state of Washington, and we chatted with him about his lecture, “Superhero America: The Comic Book Character as Historical Lens.” What is the history of comic books and superheroes in the United States of America?

  1. They both arose as a result of the same socio-economic process.
  2. Without a doubt, Jewish immigrants had a pivotal influence in the development of the comic book industry throughout its infancy.
  3. They were all children of Jewish immigrants, and some of the iconic characters who were there from the very beginning, like as Stan Lee, Jack Kirby, Joe Kubert, Will Eisner, and Jerry Siegel and Joe Shuster, the co-creators of Superman, were all children of Jewish immigrants as well.
  4. However, the soul of America can still be found in a great many stories today.
  5. Given that comic books’ roots can be traced back to World War II, they speak directly to readers about the war, the Nazi occupation, paper rationing, and even making sure that you’re following the instructions on your ration stamps.
  6. As a result, overt propaganda has always had its role in society.
  7. When Adolf Hitler is actually punched in the face in his very first Captain America comic book, it is during World War II.

“Captain America: Commie Smasher” was a comic book series that was strongly anti-Communist in the 1950s.

Captain America is so outraged by this that he takes away his uniform and goes under the alias “Nomad: The Hero Without a Country” for almost a year.

He was in the Middle East battling terrorists shortly after the September 11th attacks.

The commercial side of things is making an effort to tap into popular feeling in order to move more copies of the books.

Can you speak about the issue of diversity in comic books and superheroes?

And, when the civil rights movement gained momentum in the 1960s, he realized that he could begin to incorporate those themes into comic books, and that consumers would begin to respond positively.

By the early 1970s, Marvel had also released Luke Cage (“Power Man”), who was the first African-American to have his own comic book, and was the first African-American superhero.

Spider Man, as a half-African-American, half-Latino adolescent, is one example, and we also have Thor, who is currently a female superhero.

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At this moment, Ms.

What can you tell me about Wonder Woman’s development as a character?

They’re blatant about it.

But, for the most part, Wonder Woman was seen as a feminist symbol, with little regard for what was actually happening within the pages of the book.

“Super abilities don’t create the hero,” they said in their approach.

“We want to take advantage of this and display this powerful lady,” the group’s aims were.

“You deprive Wonder Woman of her abilities.” Consequently, Wonder Woman was de-empowered for a few of years before regaining her former strength.

Magazine not long after that.

In the mid-1980s, a writer by the name of George Perez took over the Wonder Woman comic book series.

Wonder Woman, on the other hand, is deeply rooted in Greek mythology, and one of the things George Perez did was to go back and replace the “kink” in Wonder Woman’s foundation with references to her legendary roots.

What do you think the future of comic books and superheroes will be like?

So if you are able to catch a contemporary political trend, you will be able to move ahead with that movement.

Superman and Batman, for example, are able to absorb more sophisticated metaphors, which allows you to write more complex stories.

Take a look at the X-underlying Men’s metaphor for a moment.

At a time when people weren’t quite comfortable with the idea of African-American superheroes, you developed these mutant characters who were born the way they were and simply want to contribute to society in a positive way.

Professor X is one of your characters, and his desire to coexist and be a contributing member of society is eerily similar to Martin Luther King’s approach to civil rights.

However, while the characters themselves have become more diverse over time, and you are now able to deal with issues of race and civil rights more overtly, the entire metaphor of the X-Men as part of the civil rights movement has kind of reached its zenith.

The strength of the underlying metaphor is that it has the potential to evolve and serve other purposes as time goes on. T. Andrew Wahl’s upcoming Speakers Bureau appearance may be found on the Humanities Washington calendar.

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How Superhero Movies Have Influenced Pop Culture and the World

What impact have your favorite superhero actions had on pop culture, and how have they helped to establish a whole genre of movies as a result? Almost from the moment they first appeared on the pages of comic books, superheroes have played an important role in popular culture. The first superhero comic books were published in the late 1930s and early 1940s. Superman, from the DC Comics universe, is often recognized as the “first” superhero of all time. Since his first appearance in 1938, Superman has grown to be a well-known character in popular culture, and he is currently carrying on his legacy in the DC Extended Universe.

  • An extraterrestrial with exceptional abilities and god-like strength, as well as a hero who defeats the evil guys.
  • After his first appearances, Superman gained in popularity and has never stopped to astound audiences, even after more than 50 years since his conception.
  • Captain America was first created for the Marvel comics during World War II, when he was a scrawny child from Brooklyn who transformed into a super soldier with the use of a new serum.
  • This character became so popular because he was relevant to the time period in which he appeared.
  • It provided hope and inspiration to youngsters at a difficult period in American history, and it provided them with something to aspire to.
  • As the two most dominating comic book franchises, Marvel and DC, continued to produce more and more comic books and new characters, comic books continued to gain in popularity.
  • Each franchise expanded and developed new series that featured an ever-increasing number of new heroes.

As time went on, this drew an increasing number of admirers to it.

It wasn’t long before the superheroes were able to be played in arcades and on home entertainment systems.

As television technology progressed, we also saw the emergence of television series themed on superheroes.

These children are the ones that make up the vast bulk of superhero lovers in the modern day.

Marvel and DC, two of the most well-known comic book franchises, both formed movie franchises in order to be able to produce films based on their beloved comic book characters, respectively.

It was a huge commercial success, and it served as the starting point for a long-running cinematic universe of films that has continued to this day.

Spiderman has also had his own movie, and some other superheroes have gotten their own movies in recent years as well.

The characters named above, as well as characters from other parts of the universe, are all included.

It is impossible to predict what the franchise will do in the future, but one thing is certain: it will continue to exist.

The DCEU (also known as the DC Extended Universe) is a prominent cinematic universe based on the DC comic book series.

Now, there were some Batman films released before to Man of Steel, but they were not part of the DCEU at the time of their release.

Superman, Suicide Squad, Justice League, and Wonder Woman, but fans believe it does not measure up to the intricacy and success of the Marvel Cinematic Universe.

In its whole, the DCEU is still beloved and cherished by many individuals.

Many of the films have received poor reviews, and others have criticized the poor writing and flaws in the plot.

However, several films from the DCEU manage to climb above the gloom of their predecessors.

As previously said, the DCEU is still expanding and is in the midst of developing new films, therefore it is impossible to predict what the DCEU’s long-term plans will be.

These films, as well as a slew of others, have contributed to the ongoing popularity of the superhero concept in popular culture.

Unlike previous generations of fans, those of this generation have grown up with these characters and will continue to watch and appreciate them in their entirety, just as their predecessors did.

Overall, superheroes have had a significant impact on not just youngsters and their supporters, but also on pop culture as a whole, and in many cases, they have had an impact on historical events.

America’s need for superheroes has led to the rise of Donald Trump

Superhero movies have proven to be one of the most effective mediums for communicating American political culture in the aftermath of September 11, 2001. One of the most poignant images of 9/11 was Captain America crying among the debris of the smoldering Twin Towers, a symbol of a nation whose identity was so deeply founded in a superheroic sense of confidence and invulnerability. However, now that Donald Trump, a politician who is more Lex Luthor than Superman, is the frontrunner for the Republican presidential nomination, the genre faces the danger of being rendered obsolete by the binary nature of political life.

It’s difficult to see a video of Trump encouraging his fans to take matters into their own hands while simultaneously watching pictures of primarily minority demonstrators being shoved, spat at, and forced to the ground in a country that is proud to brag about its tolerance, democracy, and freedom.

  • “It is better to live as a lion for a day than as a lamb for eternity,” the group’s slogan reads, and its official logo, which features a lion’s face surrounded by a circle of stars in appropriately patriotic colors, is reminiscent of the hyper-patriotic artistic style of a comic book.
  • Not surprisingly, the current wave of Marvel and DC cinematic blockbusters is centered on themes such as a crisis of confidence in democracy, civil uprising, and vigilante justice.
  • After September 11, 2001, they faced the potential of being forced to retire because they were unable to deal with the true tragedies that the country was seeing.
  • How could they deal with the nuances of world politics while also striving to heal the damaged psyche of a nation that had been badly traumatized?
  • Suddenly, they represented a more complicated and terrible evil than the one that America was currently confronted with.
  • Iron Man reflected on the atrocities committed by the American military machine in the past.
  • Thor was directed by Kenneth Branagh, and the underlying thread of the film was the characteristically Shakespearean but very current themes of arrogance, imperialism, and warmongering, which were explored in great depth.

Following September 11, 2001, those characters who looked so out of date were revived with unprecedented levels of critical scrutiny, resulting in their becoming an all-pervasive cultural phenomena and providing some of the most insightful comments on how America was dealing with its pain.

The new view of heroism was dark and complicated, with hints of the political climate in the United States.

The more away we are from the event, the more subdued its attraction appears to have grown to us.

In the end, the advent of a presidential candidate whose basic concept is based on vigilantism lays the stage for superhero movies to shift their attention away from external foes and toward internal ones instead.

As a result of the country’s shift away from the civility and compromise that it has been compelled to accept for the previous decade, the topic of savage civic devastation resonates with the general population in the United States in 2016.

It is the conflict between trusting in democratic procedures and working against them in order to maintain a separate, anti-establishment vision of freedom that is central to both stories.

The fact that similar behavior is reflected in the presidential primaries is what lends credibility to both films’ prescience.

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Photograph courtesy of Wilfredo Lee/Associated Press Our candidates are pitted against one other on two fronts: the establishment candidate who supports the continuation of current policies and the curmudgeonly socialist who, despite his political disagreements with his opponent, refuses to criticize her on anything other than her policy choices.

  1. While watching the rise of a reality television personality who uses vigilantism rhetoric to solve everything from “annoying, foolish” protesters at his rallies to foreign policy conundrums, a field of inexperienced politicians stumble around in the dark.
  2. While the vast majority of Americans do not support Trump’s campaign, those who do are caught up in a society that values quick action at the price of democratic institutions.
  3. The impulse to resort to violence is triggered in everyone who feels disenfranchised every time Trump tells his fans to “knock the crap” out of a demonstrator.
  4. When the good guys are involved, violence is acceptable; vigilantism is OK when Batman is involved.
  5. Batman thinks that the best course of action is to take issues into your own hands.
  6. He places his confidence in those beliefs even when people in control of the system are corrupt.
  7. Anti-democratic vigilantism and authoritarian tendencies are synonymous: they both indicate the erosion of trust in democracy’s ability to offer justice and equality to its citizens.
  8. Superheroes are able to act as judge, jury, and executioner for their own ideals and tastes because of their role as superheroes in the movies.

There is no such simplicity for the citizens of the United States. There is discord, bloodshed, the allure of authoritarianism and vigilantism, as well as the possibility of a genuinely scary, non-Hollywood conclusion.


Seven of the top-grossing films of 2017 were superhero flicks, with characters based on characters initially featured in comic books as the central characters. Currently, “Black Panther” and “Avengers: Infinity War” rank first and second, respectively, in terms of box office revenue this year. Currently playing in cinemas is “Deadpool 2,” which was released on Friday, as well as “Ant-Man and the Wasp.” Neither of these are low-budget productions. We are living in the Golden Age of Comic Books in Hollywood.

  • They are possibly the most devoured narrative in human history.
  • Throughout the decades, Hollywood has provided us with a window into the changing position of women, the evolution of beliefs about masculinity, war, crime, journalism, the CIA, and a variety of other topics.
  • What exactly do they do?
  • One approach to look at comic book movies is to think of them as mental popcorn, something to be swallowed quickly and then forgotten about – which may be precisely why so many people enjoy them.
  • Armies of Hollywood professionals are compensated, millions of dollars are spent on them, and no one is harmed.
  • Most of them fail to make sense even within the fantasy logic of their own universes – why, for example, do superheroes and villains continue to throw big items at one other long after it has been evident that doing so has no impact is a mystery.
  • Plot lines are thrown up on the fly, and speech is frequently incomprehensible (particularly when trying to impart deeper meaning).
  • Their productions are bursting with sound and fury — brilliantly dressed, star-studded, frequently well-acted, and wonderfully produced, yet they convey absolutely nothing, if not on purpose.

It is a movie that is intentionally about something, and it would be enjoyable even if the major characters did not possess superpowers.) In a recent interview, Jodie Foster likened contemporary big-budget blockbusters as the cinematic equivalent of fracking, in that they are mining box office riches while destroying the environment.

‘It’s destroying the watching habits of the American public, and with it, the rest of the globe,’ says the author. “I don’t want to spend $200 million on a superhero movie,” says the director.

The Cult of Self

Even though they are not intended to be taken seriously by anybody older than 12, all stories, even the awful ones, have meaning to someone somewhere. If heroes are idealized persons, then today’s heroes represent an excessive Cult of Self, according to the definition. They are one-of-a-kind, extraordinarily gifted individuals who transcend all rules, including those of nature. The mavericks of Hollywood have long been respected, but these are, literally, cartoons – they are computer-generated.

  1. The ancient American ideal of overcoming adversity through ingenuity, virtue, and tenacity is missing, as is the image of ordinary people working together to fight adversity — think of “It’s a Wonderful Life,” “The Magnificent Seven,” or any of a dozen World War II-era films, for example.
  2. Institutions and human knowledge are both rendered ineffective.
  3. Governments are corrupt and/or incompetent, if not outright wicked, in the majority of cases.
  4. The superhero is an alien or outcast who possesses extraordinary abilities that were either given to him or her at birth or gained by accident or gift.
  5. election of an unabashedly self-centered president who believes “I alone” can fix the nation’s issues and who takes pleasure in labeling his domestic and international opponents with evil comic book nicknames — “Crooked Hillary,” “Rocket Man,” and so on.
  6. The typical human is helpless and must rely on the good will of the gods to ensure his or her existence.


They put up much effort to appear substantial. Take, for example, the opening speech of “Wonder Woman,” a highly lauded picture that has gone on to become one of the most successful films of all time. From space, we can see the blue planet Earth. The husky voice of Gal Gadot, who plays Diana, the movie’s stunningly beautiful superhero, is heard over orchestral violins. She speaks of the beauty of Earth, but also of the “darkness simmering” beneath its surface, and then says, portentously, “What one does when faced with the truth is more difficult than you think.” Gal Gadot plays Diana in Wonder Woman.

  1. What one acts when confronted with the truth.would, of course, be completely dependent on the truth.
  2. I believe my version makes more sense, although it is deficient in.
  3. In terms of meaninglessness, “Thor: Ragnarok,” “Guardians of the Galaxy,” and “Avengers: Infinity War” (which, at roughly two and a half hours, does seem infinite) are the best examples to point to in film.
  4. Some people aspire to something greater.
  5. Despite the fact that Christian imagery is freely used, the faith itself is dramatically undermined — forget about turning the other cheek; the ideal in this film is to kick evil in the a**.

One of the reasons for the film’s extraordinary success is that it has established an alternative myth to centuries of racist depictions of Africa, in which it portrays a hidden kingdom that is both wiser and more technologically advanced than even the most fantastical visions of Afro-Centrism.


They are on par with Mormonism in terms of audacity, diving into the canon of old myths and beliefs without hesitation. They are, however, far from being as entertaining. The figures in myth exhibit very human desires, foibles, and strengths, many of which are based on fact. The goddesses of love and beauty (Aphrodite and Demeter), fertility and abundance (Demeter), or wine and ecstatic madness (Demeter) are represented by them (Dionysus). Superheroes are only distinguished by one or more exceptional physical characteristics.

  1. In comic book movies, villains are just interested in conquering and killing.
  2. They just care about winning.
  3. When his inventor father, Daedalus, equips Icarus with feather-and-wax wings, Icarus becomes bloated with pride and disregards his father’s cautions, causing him to fly too high.
  4. Of course, such a destiny would be far too terrible for a superhero to endure.
  5. As is customary in comic books, Spider-Man overreaches and causes a slew of mischief, but he finally succeeds after repeatedly flinging extremely huge things at his archenemy — who also happens to be his girlfriend’s father, a twist that escaped the attention of Hellenistic writers.
  6. “Wonder Woman” is more creative and philosophically ambitious than the other superhero films.
  7. Although it draws significantly on the classic novel “Paradise Lost,” here Ares, the god of battle, rebels against his father Zeus and plots to destroy Zeus’s creation, instead of Lucifer fighting against God.

But she does not destroy Ares via sacrifice, but through flinging massive items at him and then frying him with thunderbolts. She then stays on to fight against the evil in mankind, teasing the possibility of future chapters in the franchise.

Overdosing on Special Effects

When I was 12 years old and lived in Port Washington, New York, my buddy Buzzy and I concocted a concoction using his chemical set and sprinkled it over ourselves in the hopes of gaining superhuman abilities. We then ran around his house, hoping to get a glimpse of something wonderful. We were left feeling let down. We all stayed far too typical, and we quickly began to set our sights on more realistic goals. Even back then, in the 1960s, I thought how awesome it would be if the stories I consumed in comic books could be brought to life on the big screen.

In the same way that “Batman” was a comedy, the television show “Wonder Lady” provided little more than a beautiful woman in a skimpy outfit.

Even the most fantastical ideas of comic book fantasy may now be brought to life via the use of computer imaging.

I’m watching with my senior citizen discount ticket, ever hoping of recapturing the joy I previously felt while looking at a static printed page for the first time.

The stories I read as a child were no better and in many cases worse than the ones I see now on television, but my dreams have altered completely.

Despite this, the child within me keeps returning.

Possibly, that will be the case.

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